The NY Times has a great article with pics about the imminent destruction of Nakagin Capsule Tower, a rare survivor from Tokyo’s Metabolist architectural era of the 1970s. The tower, created by architect Kisho Kurokawa, is full of apartment units that are actually factory-made capsules with compact built-in furniture and a giant porthole that, for many residents, faces a busy highway. The writer offers this explanation as to why there isn’t a bigger movement to preserve this unique building:
all over the world, postwar architecture is still treated with a measure of suspicion by the cultural mainstream, which often associates it with brutal city housing developments or clinical office blocks. Partly, too, it has to do with the nature of housing blocks in general. They are not sexy investments; they do not feed an investor’s vanity or offer the cultural prestige that owning a landmark house does.